This is a competition of Encounter and Communication..

The end of April 2013, I visited the very old, beautiful monastry in St.Florian bei Linz, which they call ‘Augstiner Choreherren Stift St. Florian’.

The monastery was first documented in 819. The mysterious atmosphere of this historical building, old monks in black coat, young boys who live there for traditional choreherren, reminded me immediately my most favorite book ‘Narcissus and Goldmund’ by H.Hesse.

This beautiful building holds amazing library (unfortunately they lost most of 17c. music manuscript..), and Anton Bruckner is sleeping in the grave there.library st.florian

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Every two years, this monastery gives kind contribution for the most relax and innovative music competition, H.I.F.Biber Wettbewerb.

The committee and the organizer, known as  most knowledgeable violinist of Austrian baroque repertoire, Gunar Letzbor, said

” This is a competition of Encounter and Communication.”

This lovely statement was reflected everywhere during the days of competition.

I met many nice young colleagues from all over the Europe, and share great time and music.

Biberwettbewerb3Thanks to such a relaxed ambiance and great acoustic in the hall, Sommerrefektrium, I enjoyed my performance, and fortunately received Romanus Weichlein Prize, shared with Girandole Armoniche.

Of course, it was also due to my great accompanist Panos Iliopoulos, the harpsichordist and composer.

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I was also invited to the Resonanza Festival in Vienna in January 2014! I will update further details as soon as possible!

And part of the recording from my performance in the Prizewinner Concert on 1st May, is coming up on this website soon!

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Welcome to AsukaSumi.com

After several months of writing a Japanese blog to chronicle my work as a baroque violinist in Amsterdam/Europe and Tokyo/East Asia, I have decided to start a bona fide website in English.  Thus, AsukaSumi.com.

I will be adding to the site in the months to follow with the following projected themes:

– upcoming performances

– thoughts on music performance practice

– occasional notes about research in the field, particularly dealing with Italian violin repertoire from the 17th century

I hope that you enjoy the site and will make it one that you follow.